Novice (angleščina) - New York Times

The Best We Should Hope For From the Fed: Nothing
19. March 2026 (10:03)
 (New York Times)
2 Chainz, One of Hip-hop’s Cheekiest Lyricists, Gets Serious
19. March 2026 (10:02)
The rapper known for his quirky turns of phrase and malapropisms is trying his hand at a memoir. (New York Times)
‘Two Prosecutors’ Review: Practicing Law in a State of Fear
19. March 2026 (10:02)
Set in the Soviet Union in 1937, this investigative drama follows one man’s mission for justice within a corrupt system. (New York Times)
‘Tow’ Review: When a Camry Is Home
19. March 2026 (10:02)
After her car is stolen and then impounded, Amanda (Rose Byrne), fights the system to get it back. (New York Times)
‘Spacewoman’ Review: Mission Driven
19. March 2026 (10:02)
Hannah Berryman’s engrossing documentary on Eileen Collins, the first female space shuttle pilot and commander, focuses on managing pride and fear. (New York Times)
‘Project Hail Mary’ Review: Ryan Gosling Is Lost and Found in Space
19. March 2026 (10:02)
The actor plays a molecular biologist trying to help save the world in this upbeat science-fiction fantasy from Phil Lord and Christopher Miller. (New York Times)
‘Peaky Blinders: The Immortal Man’ Review: Flat Caps and Inflated Myths
19. March 2026 (10:02)
Cillian Murphy rides to the rescue of family and homeland in this affectionate capper to the popular television series. (New York Times)
‘Palestine ’36’ Review: A Time of Revolt
19. March 2026 (10:02)
The Palestinian writer-director Annemarie Jacir focuses on the 1936 farmer rebellion against the British, with the future of the land at stake. (New York Times)
‘Marc by Sofia’ Review: Coppola Profiles Her Friend Jacobs
19. March 2026 (10:02)
Sofia Coppola profiles the fashion designer Marc Jacobs, but the documentary strains to arrive at even the most basic revelations. (New York Times)
‘Late Shift’ Review: Understaffed and Overworked
19. March 2026 (10:02)
Set in the cancer ward of a Swiss hospital, this antsy workplace thriller follows one nurse’s balancing act over the course of a shift. (New York Times)