Novice - Kultura (angleščina) Slowwwenia.com

L’Rain Asks if ‘Experimental’ Music Can Be Far-Reaching
13. August 2026 (11:02)
Her latest LP, “Fata Morgana,” explores whether limits to her genre-spanning work are real or perceived. (New York Times)

‘Fast’ Review: She’s Got Good Traction
13. August 2026 (11:01)
Rob Tregenza’s latest film follows a young woman in Virginia who wants to be a professional racecar driver. (New York Times)

A Print Maestro With a Birdwatcher’s Eye and a Socialist Soul
13. August 2026 (11:01)
At the Whitney, Mabel Dwight’s caricatures from the 1930s, some gentle and some acidic, show her mastery of lithography and the democratic gesture. (New York Times)

‘Don’t Say Good Luck’ Review: A Bittersweet Big Break
13. August 2026 (11:01)
Sunny Sandler and Melanie Lynskey capture hope and heartache in this melodrama about a daughter’s open door and a mother’s awful diagnosis. (New York Times)

5 Artists Share What Makes Them Optimistic About the Art World
13. August 2026 (11:01)
At a time when news can be dispiriting, we ask five creative people about what makes them optimistic — still — about their field. (New York Times)

Come for the Cottage in ‘Heated Rivalry.’ Stay for Everything Else.
13. August 2026 (11:00)
(New York Times)

‘The End of Oak Street’ Review: Cul-de-Sac Dino Attack
13. August 2026 (11:00)
Dinosaurs wreak satisfying havoc in 1980s suburbia while the movie slyly undermines its formula. (New York Times)

So You Want to Build an A.I. Star?
13. August 2026 (11:00)
Designers at a new crop of creative studios create fake personas they hope real people will love. Are they distorting culture or mirroring it? (New York Times)

Madden Is Designed to Feel Real. So Where Are the Concussions?
13. August 2026 (11:00)
After head injuries were removed from the popular N.F.L. games, a nonprofit group found a visceral way to incorporate them. (New York Times)

As Comedians Toy With A.I., Who Will Get the Last Laugh?
13. August 2026 (10:56)
Several acts at the Edinburgh Fringe are testing the boundaries of creativity using artificial intelligence. (New York Times)