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Goose vs. Geese: How to Tell the Bands Apart
02. October 2025 (11:04)
They’re also both on tour. Confused? We can help. (New York Times)

Where an Artist Draws a Crowd, and the Crowd Draws the Artist
02. October 2025 (11:02)
For a music critic, drawing the violinist Jennifer Koh was a balancing act between perception and creation, not unlike criticism itself. (New York Times)

‘The Road Between Us: The Ultimate Rescue’ Review: War as a Thriller
02. October 2025 (11:02)
(New York Times)

In ‘Roofman,’ Channing Tatum Finally Feels He Can Hold His Own
02. October 2025 (11:02)
For years, he battled impostor syndrome: “I felt like I was just barely hanging on.” Finally, with “Roofman,” he says he can hold his own against any actor. (New York Times)

‘This Much I Know’ Review: ‘Eureka Day’ Playwright Still Has Questions
02. October 2025 (11:01)
After his Tony win, Jonathan Spector returns with a dark, cerebral comedy involving academics and Stalin’s daughter. (New York Times)

Taylor Swift’s ‘Life of a Showgirl’ Is Her Eras Tour Victory Lap
02. October 2025 (11:01)
(New York Times)

‘Steve’ Review: Cillian Murphy’s Schoolyard Melodrama
02. October 2025 (11:01)
Cillian Murphy plays a beleaguered teacher at an all-boys reform school in this exhausting movie on Netflix. (New York Times)

‘The Smashing Machine’ Review: Licking Wounds, In and Out of the Ring
02. October 2025 (11:01)
Dwayne Johnson shines, but the movie around him tells the wrong story. (New York Times)

‘Orwell: 2+2=5’ Review: How George Came to See the World as Orwellian
02. October 2025 (11:01)
His novel “1984” captured the tactics of totalitarianism back in 1949. A startling new documentary from Raoul Peck looks at Orwell’s life. (New York Times)