Novice - Kultura (angleščina)

At Art Basel, a Nervy, Make-or-Break Mood
18. June 2026 (11:03)
The auction market is buoyant, but business feels precarious for dealers at the world’s premier contemporary art fair. (New York Times)
Giacometti’s Goddesses Have Entered the Temple
18. June 2026 (11:03)
 (New York Times)
Can a Federal Plan Fix Dismal Penn Station? There’s Hope.
18. June 2026 (11:02)
Everyone agrees that Penn Station is a disaster, but not on how to fix it. Now a Trump-backed, multibillion-dollar plan to rebuild it offers a promising step forward. (New York Times)
Yves Saint Laurent and Photography: A Hot and Heavy Romance
18. June 2026 (11:02)
When fashion met image, both changed. A show at International Center of Photography shines a light on the relationship — but doesn’t really get the whole picture. (New York Times)
‘Unidentified’ Review: A High-Concept Murder Mystery
18. June 2026 (11:01)
The director Haifaa Al-Mansour (“Wadjda”) concludes a trilogy about women resisting societal constraints in Saudi Arabia with a whodunit. (New York Times)
‘Toy Story 5’ Review: The Machines Have Come for the Children
18. June 2026 (11:01)
In this latest installment of the popular franchise, Woody and Buzz Lightyear are back and must contend with Bonnie’s mesmerizing new toy. (New York Times)
‘Toy Story 5’ Review: The Machines Have Come for the Children
18. June 2026 (11:01)
In this latest installment of the popular franchise, Woody and Buzz Lightyear are back and must contend with Bonnie’s mesmerizing new toy. (New York Times)
‘Rose of Nevada’ Review: Out of the Mists of Time and Back Again
18. June 2026 (11:00)
In this richly textured film by Mark Jenkin, two men sign on to crew a ship whose ultimate destination is a place they could never have fathomed. (New York Times)
This Season of ‘Love Island U.S.A.’ Is Giving Fans the Ick
18. June 2026 (11:00)
 (New York Times)
‘Maddie’s Secret’ Review: She’s Got the Sauce
18. June 2026 (11:00)
A food influencer struggles with an eating disorder in John Early’s thrilling pastiche of the made-for-TV melodrama. (New York Times)