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‘Miroirs No. 3’ Review: Kindness and Its Reverse Image
19. March 2026 (17:39)
In the lovely new movie from the acclaimed German director Christian Petzold (“Barbara”), a woman wakes to life after an accident. (New York Times)

New Museum Debuts New Building With Ambitious ‘New Humans’
19. March 2026 (15:30)
It’s a big, serious, adult show worth debating and even fighting over — just the way our critic likes it. (New York Times)

Ida Ekblad’s Experimental Space Where Artists Come to Play
19. March 2026 (10:14)
Ida Ekblad has transformed a Brutalist villa into an experimental space for herself, and for others. (New York Times)

Crimson Desert Is South Korea’s Latest Game With Big Ambitions
19. March 2026 (10:03)
The open-world fantasy Crimson Desert looks like the latest example of South Korea’s evolution into a gaming powerhouse. (New York Times)

2 Chainz, One of Hip-hop’s Cheekiest Lyricists, Gets Serious
19. March 2026 (10:02)
The rapper known for his quirky turns of phrase and malapropisms is trying his hand at a memoir. (New York Times)

‘Two Prosecutors’ Review: Practicing Law in a State of Fear
19. March 2026 (10:02)
Set in the Soviet Union in 1937, this investigative drama follows one man’s mission for justice within a corrupt system. (New York Times)

‘Tow’ Review: When a Camry Is Home
19. March 2026 (10:02)
After her car is stolen and then impounded, Amanda (Rose Byrne), fights the system to get it back. (New York Times)

‘Spacewoman’ Review: Mission Driven
19. March 2026 (10:02)
Hannah Berryman’s engrossing documentary on Eileen Collins, the first female space shuttle pilot and commander, focuses on managing pride and fear. (New York Times)

‘Project Hail Mary’ Review: Ryan Gosling Is Lost and Found in Space
19. March 2026 (10:02)
The actor plays a molecular biologist trying to help save the world in this upbeat science-fiction fantasy from Phil Lord and Christopher Miller. (New York Times)

‘Peaky Blinders: The Immortal Man’ Review: Flat Caps and Inflated Myths
19. March 2026 (10:02)
Cillian Murphy rides to the rescue of family and homeland in this affectionate capper to the popular television series. (New York Times)