Novice - Kultura (angleščina)

Smithsonian Returns Three Khmer Artifacts Thought Looted to Cambodia
11. December 2025 (21:06)
Museum and Cambodian officials said they jointly investigated the provenance of the objects and found sufficient evidence to suggest they had been stolen. (New York Times)
Smithsonian Returns Three Khmer Artifacts Thought Looted to Cambodia
11. December 2025 (21:06)
Museum and Cambodian officials said they jointly investigated the provenance of the objects and found sufficient evidence to suggest they had been stolen. (New York Times)
The Artists Reviving the Legacy of Air Afrique
11. December 2025 (18:50)
Plus: a new Manhattan bathhouse, textiles woven from pineapple leaves and more recommendations from T Magazine. (New York Times)
‘Dust Bunny’ Review: A World of Wonders, Familiar and Foreign
11. December 2025 (18:19)
The movie, starring Sophie Sloan and Mads Mikkelsen, is a blast of visual delights. (New York Times)
U.K. Police Seek Suspects in Theft of Over 600 Artifacts From Museum
11. December 2025 (14:35)
The items were stolen in a “high-value burglary” from the Bristol Museum’s British Empire and Commonwealth collection, the police said. (New York Times)
Two Women Who Kept the Art World at Arm’s Length
11. December 2025 (11:02)
Agnes Martin and Jay De Feo spent a lifetime searching for clarity of thought. Their works glow in these two shows. (New York Times)
5 Classical Music Albums You Can Listen to Right Now
11. December 2025 (11:01)
A holiday album that cuts through seasonal glut, a late collaboration by Jim McNeely and Helmut Lachenmann’s string quartets are among the highlights. (New York Times)
‘Silent Night, Deadly Night’ Review: A Slasher Gets a Giddy Reboot
11. December 2025 (11:01)
This delightfully trashy entry in the seasonal subgenre follows a killer Santa with a heart, and a case of blood lust. (New York Times)
‘Resurrection’ Review: Bi Gan’s Voyage Into Cinema
11. December 2025 (11:01)
The Chinese director Bi Gan, who has become a lauded fixture on the festival circuit, conjures a boundary-pushing tale that evokes moviemaking itself. (New York Times)