Novice - Kultura (angleščina) Slowwwenia.com

Y2K Kids Were the Last to Really Rage With No One Watching
25. October 2025 (11:00)
The angst of nu metal is being discovered by Gen Z, but with digital eyes always looming, the ephemeral catharsis of collectively going mad is a thing of the past. (New York Times)

Barbara Gips, Creator of Memorable Movie Catchphrases, Dies at 89
25. October 2025 (00:36)
(New York Times)

‘Slam Frank,’ a Daring Satire, and ‘Crooked Cross’ Demand Our Attention
25. October 2025 (00:24)
A gleefully provocative new musical and a quiet 1930s domestic drama speak to each other across time, resounding quite loudly in our present. (New York Times)

Two Nights with Malala: The Nobel Laureate on Love, Activism and Having Fun
24. October 2025 (23:24)
Basketball and Dua Lipa are on the schedule during a New York jaunt with the Nobel laureate, whose intimate memoir finds her juggling activism and married life. (New York Times)

We Traveled the Real California That ‘One Battle After Another’ Imagined
24. October 2025 (23:10)
Paul Thomas Anderson’s film spotlights unseen corners of the state. To find them, our photographer traveled California from tip to tip. (New York Times)

A Missing Picasso Is Found, and a Small Spanish Town Loses Its Air of Mystery
24. October 2025 (22:00)
(New York Times)

6 Items From the Gene Hackman Auction: His Art, Scripts and Galaga
24. October 2025 (21:33)
The actor, who died this year at 95, led a quiet life in New Mexico. An auction of his belongings offers insights into his life and work. (New York Times)

The White House’s Movie Theater Is Among the East Wing Rubble
24. October 2025 (21:32)
(New York Times)

Review: In ‘Six Quiet Dogs,’ Ordinary Sound Gives Way to Poetry
24. October 2025 (18:29)
Abigail Levine’s new work, at Target Margin Theater, is terrific as a kind of enhanced reading, but lags on the level of choreography. (New York Times)

Review: Arvo Pärt Gets the 90th Birthday Concert He Deserves
24. October 2025 (17:14)
The Estonian Festival Orchestra made its North American debut at Carnegie Hall, offering a broad, excellently played survey of Pärt’s music. (New York Times)