Novice - Kultura (angleščina)

40 Years After ‘The Goonies,’ Fans Still Flock to Astoria, Oregon
15. October 2025 (11:02)
 (New York Times)
Julia Roberts and Luca Guadagnino on ‘After the Hunt’ and Ambiguity
15. October 2025 (11:02)
The film touches on #MeToo and cancel culture, but the star and director wanted audiences to make up their own minds. (New York Times)
Is Manresa Wilds the Future of Public Parks?
15. October 2025 (11:01)
A shuttered plant is reimagined as Manresa Wilds, an example of an old facility repurposed to solve a new century’s problems. (New York Times)
Malala Yousafzai Thought She’d Never Fall in Love
15. October 2025 (11:01)
The global activist gets candid in her new memoir. She spoke with us about struggling with panic attacks, finding her personal style and changing her mind about what marriage could be. (New York Times)
One Way to Shake Up Museum Curation? Hand the Keys to the Kids.
15. October 2025 (11:01)
 (New York Times)
At the Met Cloisters, Looking at Sexuality With a Medieval Sensibility
15. October 2025 (11:00)
At the Met Cloisters in Manhattan, paintings, statuettes and other objects demonstrate that human desire transcends time and cultures. (New York Times)
Art Leads the Way as the U.S. Prepares to Celebrate 250 Years
15. October 2025 (11:00)
Institutions around the country are preparing for the nation’s 250th anniversary, even in the face of political crosswinds. (New York Times)
What Does an Ant Smell Like? Find Out at This Museum.
15. October 2025 (11:00)
A new exhibition at the Bruce Museum in Greenwich, Conn., gives visitors a whiff, from “chocolate-y” to stinky blue cheese. (New York Times)
Historical Horror Books That Dial Up the Darkness
15. October 2025 (11:00)
The author of “Vampires of El Norte” and “The Possession of Alba Díaz” recommends books that dial up the darkness by turning back the clock. (New York Times)
Art and Data Team Up Against Climate Change
15. October 2025 (11:00)
Some artists offer a glimpse of a future that is already occurring in some climates. Others imagine a world past the point of survival. (New York Times)