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In 1971, This Film Was a Scandal. In 2026, It’s a Respected Period Piece.
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“Ken Russell’s The Devils” was deemed shocking for scenes with orgiastic nuns and a debauched priest. But its serious aims are clear in a new restoration. (New York Times)

9 New Movies Our Critics Are Talking About This Week
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Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about. (New York Times)

Documentary on Leonard Peltier Uses A.I. to Mixed Effect
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In their film on the case of the convicted American Indian Movement activist, the directors couldn’t interview their subject. Their solution wasn’t ideal. (New York Times)

A Paris Museum That’s Wild and a ‘Little Weird’
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(New York Times)

Kashmir’s Beauty and Violence Captured in an Exquisite Debut at MoMA
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(New York Times)

Quinn Kelsey: A Verdi Baritone Reigning at the Met Opera
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Quinn Kelsey has had success after success at the Metropolitan Opera. These three performances secure his reputation as a great Verdi baritone. (New York Times)

As Big Money Flees London’s Art Scene, Young Galleries Sharpen Their Edge
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(New York Times)

A Guide to Nathan Fielder’s Work Before Watching ‘You Can See Everything’
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The comedian may be an unexpected choice for a documentary about the disgraced Theranos founder, but his TV shows suggest why he’s a good fit. (New York Times)

In His Montmartre Atelier, a Self-Made, 91-Year-Old Artist Paints On
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Henri Landier is so committed to his work that, in the early days, he slept on newspapers in an unheated shack. Now, he has had shows from Japan to India. (New York Times)

The Artist Boz Deseo Garden and the Afterlife of the Slave Trade
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Boz Deseo Garden, whose work explores the “afterlife” of the trans-Atlantic slave trade, is having their Art Basel Paris debut. (New York Times)