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Jorie Graham’s Poetry of the Earth and Humanity, Set to Music
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(New York Times)

‘Gun & Powder’ Review: Twin Vigilantes Stake Claim to the American West
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The musical traces the story of Black twin sisters who pass as white, and exact their own form of justice for the crime of slavery, in 19th-century Texas. (New York Times)

Dickey Betts, Fiery Guitarist With Allman Brothers Band, Dies at 80
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(New York Times)

‘The Ministry of Ungentlemanly Warfare’ Review: War, Undemanding
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Guy Ritchie’s latest is the platonic ideal of an airplane movie, which is not exactly a good thing. (New York Times)

Why Electro’s Exacting Duo Justice Wanted to Break Its Own Rules
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(New York Times)

Dafydd Jones on Photographing New York Society in the ’80s and ’90s
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In the 1980s and ’90s, Dafydd Jones’s party shots captured Manhattan’s rich and powerful. (New York Times)

‘Stress Positions’ Review: It’s Giving Pandemonium
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The writer-director Theda Hammel’s biting, delirious quarantine comedy skewers white gay men in a world where fact, fiction and authentic experiences collide. (New York Times)

In ‘Franklin,’ Michael Douglas Uses His Charm to Bankroll America
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A new Apple TV+ series dramatizes the years Benjamin Franklin spent in France, leveraging diplomacy and guile to secure his nascent country’s future. (New York Times)

‘Blood for Dust’ Review: Dire Straits
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This drug-run thriller, starring Scoot McNairy, traffics in grim ponderousness. (New York Times)

Quick! Someone Get This Book a Doctor.
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Inside the book conservation lab at the Metropolitan Museum of Art. (New York Times)